Just when one gets her hopes up for Chuck — who on MTP today followed, quite remarkably, the Nazi specter of Stephen Miller with Bernie Sanders, brilliantly juxtaposing the darkness of fascism with the light of its opposite — he manages to disappoint:
SENATOR BERNIE SANDERS:
Well, I say two things, right now we are in a pivotal moment in American history. We have a president who is delusional in many respects, a pathological liar, somebody who is trying to–
CHUCK TODD:
Those are strong words.
SENATOR BERNIE SANDERS:
–divide us up.
CHUCK TODD:
Can you work with–
SENATOR BERNIE SANDERS:
Those are strong words.
CHUCK TODD:
Can you work with a pathological liar?
SENATOR BERNIE SANDERS:
Well, it makes life very difficult, not just for me. And I don’t mean, you know, I know it sounds, it is very harsh. But I think that’s the truth. When somebody goes before you and the American people, say, “Three to five million people voted illegally in the last election,” nobody believes that. There is not the scintilla of evidence.
What would you call that remark? It’s a lie. It’s a delusion.
Chuck still cannot see the pathology in Trump’s blatant lies, proving that this country, and the world, is way overdue for a serious discussion on mental health and its lack.
But never mind that now or the rest of the bizarro-inane punditry (is there any other kind?) that came afterwards.
We shall focus — because we must, this blog being a public service ‘n all — on highlighting a peculiarly unpleasant but crucial aspect of Trump/ism: its narcissistic worship of death and destruction, manifested not just in its ideology that informs its actions, but in the characters involved. Not surprisingly, of course, as our beliefs flow directly from our characters, showing to the world, though usually much less effectively to ourselves, who we are.
Enter Stephen Miller:
Gulp.
Miller made Sunday talk show rounds and there is no doubt that Trump chose this individual on purpose to represent him this morning, following the last night’s humiliations of the SNL parodies.
If you do not feel a cold shiver running down your spine when you watch Miller on TV, you should probably see your doctor.
Afterwards, please do read Erich Fromm’s The Anatomy of Human Destructiveness, especially the chapters on malignant aggression. There, Fromm delineates several destructive character types and discusses their psychopathology, along with their characteristic appearance.
One of those types is a necrophile, a term Fromm uses to describe someone who is enamored with and motivated by death and destruction, as opposed to love for life and creation. Ideologically, necrophiles are typically associated with fascism, which provides the “proper” outlet for their desires to control, dominate, and destroy The Others:
Many necrophilous individuals give the impression of constantly smelling a bad odor. Anybody who studies the many pictures of Hitler, for instance, can easily discover this sniffing expression in his face. This expression is not always present in necrophiles, but when it is, it is one of the most reliable criteria of such a passion. [I would attribute it to narcissistic contempt for and distrust of others — Emma.]
Another characteristic element in the facial expression is the necrophile’s incapacity to laugh. His laughter is actually a kind of smirk; it is unalive and lacks the liberating and joyous quality of normal laughter. In fact it is not only the absence of the capacity for “free” laughter that is characteristic of the necrophile, but the general immobility and lack of expression in his face. One can observe that such people in reality never “laugh” but only “grin.” While watching television one can sometimes observe a speaker whose face remains completely unmoved while he is speaking; he grins only at the beginning or the end of his speech when, according to American custom, he knows that he is expected to smile. Such persons cannot talk and smile at the same time, because they can direct their attention only to the one or the other activity; their smile is not spontaneous but planned, like the unspontaneous gestures of a poor actor. The skin is often indicative of necrophiles: it gives the impression of being lifeless, “dry,” sallow; when we sense sometimes that a person has a “dirty” face, we are not claiming that the face is unwashed, but are responding to the particular quality of a necrophilous expression.
(There’s more — see Fromm’s book, it’s a good read.)
I would add to this description their dead, unseeing eyes, a feature that Fromm describes in a later chapter on Hitler; and, in men, peculiar, effeminate (for lack of a better word) mannerisms (e.g., Richard “Watch my right pinky” Spencer).
There are no doubt common neurological underpinnings of these characteristics, linking them to stunted emotional and moral development that manifests in attraction to fascistic and fundamentalist ideologies of all kinds. Curious neuroscientists should look into that.